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Archive for July, 2009

An interview with Moebius Models

July 11th, 2009

Originally published Nov. 15, 2007.

What you see below is what I was able to recover of a Moebius Models blog entry I lost when the Clubhouse moved to a new server in early October 2007. The loss of that entry isn’t the worst inconvenience the Clubhouse experienced, and at least I held onto this much. The Q&A with Frank Winspur, the most important part, is intact, and for that I’m thankful.

Please keep in mind that Moebius has continued to make announcements about its future since I wrote this entry; check the Moebius Web site for information.

Resin the Barbarian: Why did you name your company Moebius?

Frank: The first two choices were turned down at the trademark office. I am a fan of the artist Moebius, and when I did a little more research and found out it is actually a mathematical term, I thought it would be a cool name. Its reference in mathematics is very interesting, I encourage everyone to check it out online at one of the many sites devoted to it.

RtB: As I understand it, you’re about to issue your third and fourth editions of the Dr. Jekyll as Mr. Hyde kit. The first was the long-box version; the second was a glow-in-the-dark Wonderfest long-box; the third will be a glow version released the week of Chiller; and the fourth will be a square-box glow version. Is it safe to say, then, that the doctor has been a success?

Frank: The doctor has been a great seller. We hadn’t planned on four releases of it, but the limited WF kit got quite a bit of e-mail sent to us. The Chiller edition will be visually different in the way of box art, but still the Frightening Lightning edition. Slight color change. More copies this time, 480, hopefully everyone that wants one will get one!

RtB: Is it true that the teeth were trimmed off the Jekyll mold master by someone in China? And, is there any chance the figure’s teeth will be restored in a future issue of the kit?

Frank: That’s not quite the whole story. We started out with a ’72 version to tool off of. There was basically nothing left for teeth on the kit we got, either head. It was a sealed kit, so I know no one tampered with it. I can only think that some of the detail wore off through all its pressings earlier. We have had much e-mail on this, and it will be fixed. The only problem is, how to get heads back out to customers that want them. I will be speaking with China about having this done in a few weeks, and I will keep everyone updated.… Read the rest

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More with Monarch Models

July 11th, 2009

Originally published July 1, 2007.

Thought I’d begin with an image I was anxious to see, and I’ll bet I’m not the only one.

As 2006 drew to an end, the future of the plastic figure model kit looked grim. Polar Lights was out of business and the established model companies didn’t seem to have any interest in figure kits. Then, in the middle of a thread at the Clubhouse’s “Styrene Dreams” forum, Jeff Yagher advised members to keep an eye out for Monarch Models.

I decided not to wait for news, but asked Jeff if he could put me in touch with the guy behind the company. He electronically introduced me to Scott McKillop, who was happy to talk about what he was up to. I wrote a news story that ran in my “Resin the Barbarian” blog during the holiday season, then I sat back and awaited updates from Scott.

A few weeks later, Frank Winspur of Doll & Hobby Shop exploded back onto the kit scene with Moebius Models, which he was launching with a repop of the long-missed Aurora Dr. Jekyll as Mr. Hyde, and following that up with a lot more. I was excited, but also concerned about what this apparent competition might mean. Scott, though, was just as happy as anyone.

Monarch’s first kit, Nosferatu, should be on work benches in a few weeks. Two more – the Moon Suit and the Ghost of Castel-Maré – have been announced and should be available this fall or winter. “We are also working on a cool little project that will hopefully come out in the early new year,” Scott said in an e-mail. “Real cool and real cheap. Plastic of course.”

Seems like a good time to get an update about where he’s heading with his new company.

Monarch Models

Resin the Barbarian: What’s your current expectation for when the first 2,000 Nosferatu kits will reach North America?

Scott: The Nossy kit should be in North America by the end of July. Gary is working on the instruction sheet and the second test shot has some tiny part fit errors being corrected as we speak.

RtB: Do you have a sense of how well the kit will sell? Does the potential for distribution look promising? I know a number of online dealers are offering presales.

Scott: The pre-order sales of Nossy are excellent. The last big distributor bought the last 404 kits. The first run of 2000 has been sold out (by Stevens Int., Hobbytyme, and Squadron). If a person hasn’t already preordered one, they had better hope their local hobby shop is on the phone to the above distributors.

RtB: Are you going to have more of the Nosferatu kits made?… Read the rest

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Monarch gears up to become 21st century Aurora

July 11th, 2009

Originally published Nov. 28, 2006, at GJSentinel.com.

Monarch

In this era of shopper mania about PlayStation 3 or TMX Elmo, it’s easy to grow nostalgic about a time three or four decades past, when the Aurora company’s plastic monster models beckoned menacingly – but quietly – from store shelves.

Wide-eyed boys gazed at the bright artwork on those boxes, created by painters such as James Bama or Mort Kunstler, depicting the Frankenstein Monster, Dracula, the Wolf Man, Dr. Jekyll as Mr. Hyde, the Phantom of the Opera and more. At home, they struggled with the glue and paints needed to assemble the models, then often played with their creations until they fell apart.

Scott McKillop was one of those Aurora fans, and if he has his way, plastic monster models will return to excite boys of all ages by Christmas 2007.

MonarchMcKillop, 40, a doctor in London, Ontario, is dedicating one year of his salary to starting up Monarch Models, which he plans to launch late next year with a “Nosferatu” kit, based on the Max Schreck vampire, Graf Orok, in the 1922 F.W. Murnau silent film based on Bram Stoker’s novel “Dracula.” The film has moved into the public domain, and thus no licensing of the character is required.

The kit, designed by artist Gary Makatura and sculptor Jeff Yagher, and sculpted by Yagher, will be in one-eighth scale, the same as most of Aurora’s best-known monster kits, and will be “packaged to harmonize perfectly with the early Aurora long boxes,” McKillop said in an e-mail interview. He hopes the kit will make “the toughest die-hard Aurora fan feel like a 10-year-old again.”

McKillop wasn’t ready to be specific about what will follow the Orlok kit, but he did say the second offering is “a gift to the sci-fi fans, and the third offering is sure to spook you.” After that, he said, Monarch will “step into the murky waters of licensed properties.”

Makatura said Monarch will aim to be true to what Aurora could have actually produced “in both substance and spirit.” He will be in charge of original kit design and box-art illustration.

Monarch also intends to reissue classic Aurora kits that have been often requested by fans, McKillop said. This will be largely determined by how easily the company can get licensing agreements, and so he couldn’t say yet which kits might be reissued.

The company’s Web site is scheduled to be unveiled in February. McKillop said it will feature illustrations by Rod Keith, who will also be in charge of illustrations for Monarch’s print advertisements.

The company will be headquartered in London, Ontario; the kits will be produced in China, “but I am looking into bringing the work back to North American soil,” McKillop said.… Read the rest

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Mike Rutherford paints Retro Resin’s Fly and more

July 11th, 2009

Originally published Sept. 27, 2006, at GJSentinel.com.

Trendon

Some guys just seem to be particularly in love with this hobby of ours. Mike Rutherford, 38, of New England has long struck me as one of them. Check out his Web site, which is stuffed not only with pictures of his own kit buildups, but with information about model kits both past and present and plenty of other genre subjects of interest to hobbyists.

Mike’s also a family man; his wife is Melanie, his kids are Michael and Madison.

MIKE RUTHERFORD AND MODEL KITS

Resin the Barbarian: You strike me as someone who truly loves this hobby and has for a long time. How long have you been involved in building kits, and what got you started?

Mike: Hello Todd, and thank you for this opportunity.

TrendonWhat got me started was my Uncle Jonathan, in 1971.

When I was 4 years old and he about 10, he had both the Victim and the Frankenstein “Monster Scenes” kits. We would play with these as toys.

My grandmother had an old birdcage that we would use as a cage for the Monster to put the Victim inside of.

However, I didn’t get a model kit of my very own until a few months later. It was a glow in the dark kit called “Fiend” that was made by a company called Lindberg.

My first Aurora monster kit was the glow version of the “Forgotten Prisoner.”

Between the two of us, my uncle and I, we had most of the Aurora monster line.

If it hadn’t been for him, I truly wouldn’t have known the love of this hobby.

TrendonI’m glad that I was able to tell him this before his unforeseen passing this past March.

RtB: Which came first, your love of classic monster subjects or love of model kits?

Mike: Actually, it happened at the same time because I really didn’t know much about the monsters until I was exposed to the Aurora monsters. (Remember, I was only 4 years old.)

Believe it or not, what really hooked me was the box art. I was just obsessed with this art, as a kid and I still am.

RtB: Have you ever NOT been involved in building model kits?

Mike: Yes and no.

There were times when I didn’t build but it wasn’t because I wanted to stop. However, I’ve been involved with the Aurora monsters at some point during each decade.

During the end of the 1970s I was forced to stop building when Aurora closed their doors and there really wasn’t much else available unless I wanted to build cars, spaceships or other vehicles and I truly wanted no part of that.… Read the rest

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Andy Bergholtz creates the Salty Sea Dogs

July 11th, 2009

Originally published Aug. 16, 2006, at GJSentinel.com.

“THE SALTY SEA DOGS”
Sculpted by Andy Bergholtz of AB Sculpture Studio.
Available from Dark Carnival.
1/4 scale, resin.
The first two “Sea Dogs” sell for $75 plus shipping; price on the Captain is $85; the set of all three is $175.
Kits in pictures painted by Phil Sera.

The truth about pirates was ugly. They were thieves and murderers sailing the high seas, and the closest thing they probably got to taking a bath was the occasional saltwater spray from the waves. No fun at all. But the iconic images of pirates built around sources such as the Pirates of the Caribbean and Robert Louis Stevenson’s “Treasure Island” – that’s fun.

Sculptor Andy Bergholtz celebrates those iconic images with his “Salty Sea Dogs,” a trio of buccaneers who are obviously very happy about being very bad. They’ve never had what Andy calls “official” names, but he refers to them as the Captain (the most recently introduced), Deadeye Henry and Frosty Bill.

Andy, 27, lives in St. Louis. He’s married and has kids: Lucy, 3; Andy Jr., 18 months; and a third on the way.

Norm “Kitman” Piatt wrote a terrific interview with Andy in the Spring 2004 issue of the now-defunct Modeler’s Resource. The magazine doesn’t seem to be available through the MR Web site, but it’s worth searching for you if you want a more in-depth piece about Andy. For now, I’ll share what he told me through e-mail.

Andy Bergholtz

Q&A WITH ANDY BERGHOLTZ

Resin the Barbarian: Were the Sea Dogs based on some kind of illustration?

Andy BergholtzAndy: I didn’t use any illustrations as a basis for the designs, they are all original. I was heavily inspired by imagery from the Pirates of the Caribbean Disneyland attraction, which has always been an obsession of mine. Old-school Disneyana is kind of a hobby for me, I’m a huge fan of anything related to the Pirates or Haunted Mansion, etc. These busts are in large part an homage to the old greats like Marc Davis and Blaine Gibson.

RtB: The first two “Salty Sea Dogs” have been around for more than a year; the Captain is new. How long, roughly, did it take from the first, “let’s do this” step when you (and Robb, I resume) decided to do this until now, when all three are ready?

Andy: Well, the first two busts were not planned, they were just clay sketches I had done for my personal collection at the time. They got such great feedback on the forums, etc, and I began to get all kinds of requests to turn them into kits… I’m not much of a kit producer myself, but I knew my buddy Robb (Rotondi of Dark Carnival) was a huge pirate fan, so I pitched it to him and he picked them up to produce.… Read the rest

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Kingdom Come Superman from MikeTek

July 11th, 2009

Originally published Aug. 10, 2006, at GJSentinel.com

MikeTek

“KINGDOM COME SUPERMAN BUST”
First in a series of busts inspired by the artwork of Alex Ross.
Produced by MikeTek.
1/4 scale, resin, one piece.
Price: $50, including shipping inside the United States.

MikeTekTen years ago, comic books were pretty much over for me. Not entirely over, I’d pick up a title every now and then, but for the most part the writers were putting out stories I’d read before, the artists drawing the same muscle-popping heroes. I stopped in at Comics Odyssey on North Avenue (like most comics shops I know of, it folded years ago) and browsed once a month or so, but only when I was bored.

During one of those stops, I happened to see a promo poster for the upcoming four-part series “Kingdom Come” by Mark Waid and Alex Ross, neither of whom I’d heard of. I wasn’t interested. But then the shop’s owner pointed it out and said it would be good, so I figured I had little to lose and bought the first issue when it was available.

It was wonderful. Best comic I’d seen in years, since Frank Miller’s “The Dark Knight Returns” and Alan Moore’s “Watchmen” in the ’80s, and better than anything I’ve seen since.

Like “Watchmen” and “Dark Knight,” “Kingdom Come” is set in the future, when the children of the original superheroes are wreaking chaos around the world. They’ve grown up in a society that values revenge over justice; their leader is a ruthless superhuman vigilante called Magog, whose popularity so disgusted Superman years before that he retired to his arctic Fortress of Solitude.

The young superhumans’ carelessness climaxes in a battle with a villain called the Parasite. In a desperate moment, the Parasite manages to split open the nuclear-powered Captain Atom, which causes a blast large enough to kill a million people and destroy the farmlands of Kansas.

Seeing how much things have deteriorated during his years of isolation, Superman comes out of retirement, wearing an “S” shield with a black background that I presume was inspired by the 1940s Fleischer cartoons. The Man of Steel reforms the Justice League, and…

MikeTekWell, stop by a bookstore and pick up the graphic novel collection of all four issues if you want to know the rest. Believe me, if it sounds stupid, it’s probably because I simply can’t properly explain it. Mark Waid is generally a good writer and this is probably his best; more importantly, Alex Ross’ artwork is nothing short of amazing. He paints the familiar characters – Superman, Batman, Wonder Woman, Green Lantern, Captain Marvel and more – in a way that maintains their “mythological” feel while also making them look like real human beings.… Read the rest

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Pirate Captain by H2Creative

July 11th, 2009

Originally published Aug. 3, 2006, at GJSentinel.com.

Pirate Captain

Pirate Captain“PIRATE CAPTAIN”
Sculpted by Jim Maddox.
Produced by H2Creative, info@h2creative.com.
1/6th scale resin bust in six parts.
$75 plus shipping.

Something about Disney’s “Pirates of the Caribbean” connected with me right from the start – and I don’t mean the movies, I mean the characters from the rides at Disneyland and Disney World, which I discovered when Johnny Depp was probably a year or two ahead of me in grade school. I’m pretty sure it’s because I was fascinated with the idea of “living” skeletons sailing the seas.

Like so many of the entertainment things I’ve loved in my life, I was introduced to the Pirates through model kits. Specifically, a series of kits from the company MPC, heavily advertised in comics in the early to mid-’70s. I remember staring at displays of those kits every time Mom took us to Kmart.

I’m not positive, but I think I did end up getting one of those kits – one of the skeleton ones, I’m not sure which – and made such a discouraging mess of putting it together that I quit bugging my parents to buy me more. Now I’m hoping someone will repop the kits for today’s kids (and grown-ups) the way Polar Lights did for the classic Aurora monsters, because I’m not willing to pay eBay prices for 30-year-old boxes of plastic.

For the moment, however, corporate America doesn’t seem interested in the relatively small but thriving community dedicated to figure model kits, even though the financial success of the first “Pirates of the Caribbean” movie and even greater financial success of its current sequel (which recently became Disney’s all-time-biggest money maker) would seem to indicate that repopping the old kits would make a little money for someone. Oh, well. Fortunately, hobbyists such as myself can turn to garage-kit producers for some wonderful stuff, particularly the “Pirate Captain” recently introduced by H2Creative. Inspired by the character of Davy Jones in “Dead Man’s Chest,” this pirate has been shivering the timbers of many a GK fan recently.

Pirate CaptainFamily man Lonnie Hale, 38, of Atlanta is the man behind H2Creative. He has mostly worked at producing resin model kits – “literally dozens” – for other people’s companies and he also produces “a lot of movie prop stuff for people.” One of the biggest things he produces is a line of 1/6 scale “Hero Heads” and he sells once a month on eBay under the member name “TK570.”

“I really specialize in very small run stuff and/or prototypes and specialty materials,” Lonnie told me in an e-mail. ” I do a lot of stuff that requires glow in the dark colors, clear or translucent material, rubber, soft and hard foam cast product or simulated special effects in mold like tortoise shell, ivory, jade, etc.”

Pirate Captain

Q&A WITH LONNIE HALE

Resin the Barbarian: I know you recently had surgery, although I’m not sure why.… Read the rest

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