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Scott Johansen and Edgar Allen Poe

July 11th, 2009

Originally published July 5, 2006, at GJSentinel.com.

Edgar Allen Poe

“EDGAR ALLEN POE”
Sculpted by John Dennett.
Produced by Moohead Models, Mooheadmodels@aol.com.
Designed to be the same size as the classic 1/8 scale Aurora monster kits.
Made of resin, 13 parts. (Parts breakdown: Chair legs, 4; chair with Poe, 1; Poe legs, 1; Poe’s hands, 2; base, 1; cat, 1; book stack, 1; inkwell, 1; post with raven, 1.)
$90 plus shipping.

Edgar Allen PoeEdgar Allen Poe wielded the pen behind some of literature’s creepiest moments. Here’s one most readers will recognize:

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven, “Nevermore.”
- “The Raven,” 1845

Or how about this:

With a loud yell, I threw open the lantern and leaped into the room. He shrieked once – once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eve would trouble me no more.
- “The Tell-Tale Heart,” 1843

Poe’s work was responsible for the kind of chills bound to earn the respect of monster-model-lovers such as myself, so I’m one of many who took notice when Scott Johansen’s Moohead Models reissued John Dennett’s classic “Edgar Allen Poe” garage kit.

Scott, 43, lives in Frankfort, Ill. He describes himself as “happily divorced for 14 years.” He is still friends with a former girlfriend and considers her daughter his own stepdaughter. Scott works as a millwright in a Ford assembly plant in Chicago.

“I’m sure there are those out there that will ask, ‘What the hell is a Moohead?’ ” Scott wrote in an e-mail. “Well, that is simple. My stepdaughter nicknamed my dog that and it stuck. So the company is named after my dog! LOL.”

Boy and Tiger

Q&A WITH SCOTT JOHANSEN OF MOOHEAD MODELS

Resin the Barbarian:… Read the rest

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Brutto and Baklar from G-Force

July 11th, 2009

Originally published June 29, 2006, at GJSentinel.com.

Brutto

“BRUTTO”
1/4 scale resin bust; 7 inches tall.
Comes in two parts.
$45 plus shipping.

Baklar

Baklar“BAKLAR”
One of the “Demons of Dance”; two more “Demons” (“Mubat” and “Krakor”; see pictures below) will come out this year.
1/6 scale kit, 13 inches tall on its base.
Made of resin, with 3 metal bells on the hat.
$90 plus shipping.

Both produced by G-Force.
Sculpted by Robert Blair.
Kits pictured painted by Scott Herel.

Much of Robert Blair’s sculpture is the stuff of nightmares … but in a good way. In addition to the jester and dancing demon above, he’s created a frightening assortment of clowns (including the Joker), scarecrows, a Dryad and much more. I don’t know what fires an imagination like that, but it gives our hobby an edge that’s sometimes surprising.

Demon of the DanceI like both of the pieces above, but “Baklar” is my favorite of the two. The thing just looks so flippinghappy about being creepy. So I e-mailed Robert to ask him if there is a story behind the “Demons of Dance.”

“There really is no back-story about these pieces,” he answered, “I just thought it would be cool to sculpt these evil jesters in different ballet poses. We have all these Royal Winnipeg Ballet books at home, my sister-in-law was a dancer with them. Just the idea of these evil, dark horrid jesters in these graceful ballet poses was hilarious! I think it works very well.”


Gary White, 41, of G-Force was also impressed by pictures of the “Demons” when he saw them on Robert’s Web site, and he made a deal to produce them as garage kits.

As garage-kit producers go, Gary is one of the veterans, having been in business since 1988. He lives in Acton, Ontario, an hour west of Toronto, with his wife, Shari. His “day job” is in construction; he works on heating, ventilation and air conditioning, plumbing and other mechanical systems.

Gary WhiteQ&A WITH GARY WHITE OF G-FORCE

Resin the Barbarian: Despite their originality (or perhaps because of it), these aren’t the kinds of kits I generally expect to see on people’s “grail” lists. What made you decide to produce these?

Gary: I liked them as soon as I saw them. They are different to the same old Frankenstein, Predator, etc. I also liked the feel that the poses have and the… Read the rest

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Sam Greenwell’s Umber Hulk

July 11th, 2009

First published June 23, 2006, at GJSentinel.com.

Sam Greenwell\'s Umber Hulk

“UMBER HULK”
Inspired by the Dungeons & Dragons character.
Sam Greenwell's Umber HulkSculpted by Sam Greenwell, who also painted the kit pictured. (“Krylon primer, gel stain, done.”)
Produced by Greenwell Studios.
10 inches tall; 15 resin parts.
Price: $110 plus shipping; e-mail contact@greenwellstudios.com if interested.

Not long after I discovered garage kits, I discovered eBay. It’s easy to find a ton of problems with the online auction giant, but it’s often the best place to watch if you want to find a model kit that’s out of production for a decent price. It’s also where you’ll occasionally find new pieces, which is what happened to me when I happened upon Sam Greenwell’s auction for the “Umber Hulk.”

Sam Greenwell's Time BanditWhat is an “Umber Hulk”? I had no idea, but it looks like some kind of bug. A NEAT bug, and a big one, too. Maybe part gorilla. So I looked it up and found out it was part of the D&D role-playing game. I’m one of those geeks who’s never played D&D and still don’t want to start, but at least I’m more interested now than I was.

This sculpture comes to GK fans courtesy of the talented hands of Sam Greenwell, who thinks the first of his sculptures to be produced as a garage kit was “NomadAx” for Jayco Hobbies in 1995.

Sam, 36, lives in Georgetown, Ky. He is married and has two kids, a 10-year-old daughter and 6-year-old boy.

Sam Greenwell

Q&A WITH SAM GREENWELL

Resin the Barbarian: My parents both come from Hazard, Ky., a town I loved when I was small but haven’t visited in about 26 years. Have you ever been there?

Sam: No. My best friend growing up was from Hazard but I’ve never been there myself. I think the closest I’ve been would be Pikeville.

RtB: The “Umber Hulk” is, for me, the latest example of a resin kit I like that leads to me finding out more about the source material. What drew you to sculpt this character? Are you a D&D fan? Did you consider the market potential or just want to do it?

Sam Greenwell's Umber HulkSam: I wanted to do a cool monster so I flipped through monster books, I have a LOT of monster and creature reference books, and chose that one.

RtB: I’ve been doing a little Web surfing for pictures of the Umber Hulk. While most of them were consistent about a few things (such as the mandibles),… Read the rest

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Joe Simon’s Blue Boy and Neo Nazi

July 11th, 2009

Originally published June 16, 2006, at GJSentinel.com.

Blue Boy

“BLUE BOY”
A companion piece to the PSI “Hellboy” bust.
1/3 scale resin bust, 13 inches tall.
Nine parts.

Neo Nazi

“NEO NAZI”
1/6 scale resin model kit. About a foot tall.
Nine parts.
Both sculpted by Joe Simon and offered through 3rd Eye Design.
Price for each is $100 plus shipping.

Joe SimonJoe Simon must be one of the busier garage-kit sculptors around, judging by the number of companies he works with. In addition to the kits he makes for his own company, 3rd Eye Design, Joe works with GEOmetric Design, CultTVman, Kitbuilders Magazine, Model Giants, PSI and more. He’s the kind of sculptor who can produce more wonderful work in a year than half-talented kitbuilders like myself could actually hope to build and paint.

Joe, 33, lives in Bangkok, Thailand. He moved there from Minnesota almost four years ago after a friend invited him to Malaysia for Chinese New Year; he planned to stay a week and “see the world from a different view,” now he feels at home there.

Joe’s not married but has been with “the boss” about three years. She’s “10 years younger (and) dreams of taking over the world,” he wrote in an e-mail. “She started with me!”

Joe says he comes from a huge family and plans to leave carrying on the name to the rest of the bunch. “I never wanna stop being a kid myself, playing with clay, paint and guitars!” he wrote.

I’ve been watching for a chance to get in touch with Joe for several months now, and his new “Hellboy”-related kits gave me the perfect excuse.

Q&A WITH JOE SIMON

Resin the Barbarian: I’ve never actually read the “Hellboy” comics, but I like the movie a lot. Can I safely assume these kits represent the characters as shown in the film?

Joe: I have to honestly say I didn’t read the “Hellboy” comic either, didn’t know much about the characters till the movie came out … I was hooked instantly!

HellboyVisually the characters inspired me.. that’s why I’ve done three sculpts so far, and hope to do more. More than likely, I will stick to the movie version on those also.

RtB: These are pieces you are selling through your own company, so I guess that means no one commissioned you to make them. What drew you to this subject matter?

Joe: Originally Jerry Buchanan of PSI Kits had commissioned me to sculpt a 1/3rd scale Hellboy bust. After watching… Read the rest

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Nocturna Productions

July 11th, 2009

Originally published June 14, 2006, at GJSentinel.com.

Yesterday, I had a Q&A with sculptor Dave Grasso, discussing the upcoming reissue of his classic “hatted” Nosferatu kit through Nocturna Productions. Today, I have a Q&A with Cindy and David Fisher, the folks behind Nocturna.

Pretty much anyone involved with garage kits knows the background of David Fisher and his partner, Terry Webb, because most everyone involved with the kits has discovered their magazine, Amazing Figure Modeler. If you’re not familiar with it yourself, or even if you just haven’t read it before, click HERE for a fantastic write-up.

Cindy and David live in Tennessee. They met in art school and have been married for 24 “terrific” years.

Nocturna ProductionsQ&A WITH CINDY AND DAVID FISHER

Resin the Barbarian: Anyone who’s interested in the work of David Fisher finds out quickly he’s a fan of Nosferatu kits. Cindy, are you also a fan of the character?

Cindy: Most definitely, but not as obsessed David! I love silent movies in general, from Harold Lloyd to Lon Chaney. I find them fascinating as an art form and as period time capsules.

RtB: As I recall (and my memory may be failing me), Nocturna was introduced as a company run by Cindy, but plainly David is involved as well. What role do each of you take in the company, and do the products you sell reflect both of your interests?

David: Nocturna Productions is completely Cindy’s company, but I obviously help with advice and my connections to sculptors in the hobby, as well as the graphic design of ads and packaging.

I’ve also sculpted bases for kits such as the Gothic base, Skull Pit and Lab Base, which Nocturna has produced throughout the years.

As for Cindy, Nocturna began as a simple business created to help Mike Hill sell his Hammer bust series in the U.S., then she commissioned a sculpture from Mike of the “Curse of the Werewolf” which was in production until just recently when the third set of molds wore out. Then she commissioned a set of silent horror super-deforms from sculptor Rick Force. Most recently she worked a deal with Staffan Linder to re-release the Swede Creations Nosferatu, and will soon release David Grasso’s Nosferatu as well.

I guess she does everything but cast the kits!

Staffan Linder's NosferatuRtB:I presume the reissue of the Swede Creations Kinski Nosferatu was a success for you; I know it generated a lot of buzz last year. Is that part of what inspired you to approach Dave Grasso? What else… Read the rest

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Nocturna’s Grasso Nosferatu

July 11th, 2009

Originally published June 16, 2006, at GJSentinel.com.

David Fisher\'s Nosferatu

“COUNT ORLOCK”
Sculpted by Dave Grasso.
Phil Sera\'s NosferatuSoon to be reissued by Nocturna Productions.
1/6 scale (a little more than a foot tall), made of resin, with a piece of jeweler’s chain holding the lantern.
Price: TBD.

As I wrote a couple of weeks ago, many garage-kit makers and builders love the vampire – Graf Orlock – from the silent movie “Nosferatu, A Symphony of Terror.” Why should a pale, rat-toothed creature be such a draw to GK fans? I’m not certain, but I suspect it has a lot to do with two people: David Fisher of Amazing Figure Modeler and sculptor Dave Grasso, the subject of today’s e-mail Q&A.

Dave GrassoIn 2000, Fisher wrote an article in issue 21 of his magazine headlined “Nosferatu: Land of the Rats.” The piece was a look at more than two dozen Nosferatu garage kits and remains a valuable, though slightly dated, summary of the subject. In it, he said of Grasso’s “hatted” Nosferatu: “…the face captures the old man features of the character better than any other I’ve seen. The features and accuracy are incredible, and the expressive hands are exactly what is needed to cure my Orlock fever. The pose is classic, the detailing superb.”

Coming soon from Nocturna Productions, the company run by Cindy Fisher, David’s wife: A much-anticipated reissue of that Grasso Nosferatu. More about the Fishers later this week.

VampirellaNow, Dave Grasso. If you’re interested in the subject enough to have read this far, it’s a pretty good sign that you’re familiar with Dave’s work even if you don’t know it. He’s a special makeup and creature effects artist currently finishing up on thethird “Resident Evil” movie at Patrick Tatopoulos Studios. He worked at Stan Winston Studio about nine years. Other titles on Dave’s résumé include “Jurassic Park,” “Batman Returns,” “Terminator 2″ and “The Chronicles of Narnia.”

Dark Horse Invisible ManGarage-kit hobbyists will also know Dave for his first Nosferatu kit, the Invisible Man he sculpted for Dark Horse and a Vampirella based on artwork bySanjulian. He also did a few toys for Stan Winston Creatures and many maquettes for studios he’s worked with over the years.

“I’ve always wanted to get back in the garage-kit world (I’ve had other ideas for kits in the past), but was always to busy with film and toy work to pursue it,” he wrote in an e-mail.

Dave lives in California and has a wife and kids.

“My dad was and still is a great one for… Read the rest

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Batman Begins by Scott Whitworth

July 11th, 2009

Originally published June 8, 2006, at GJSentinel.com.

Batman Begins

Batman Begins“BATMAN BEGINS” BUST
• Sculpted by Scott Whitworth of Formation Designs.
• Produced by WebbHead Enterprises.
• 1/4 scale, about 10 inches tall.
• Two resin parts.
• The kit in the pictures was painted by Steve Riojas of Denver.

Back in my preschool days, late ’60s until about 1970, the world was all about the campy “Batman” TV series. While grown-ups were laughing at those silly “POWS!” and Robin in tights, little kids like me were taking the show dead seriously and making capes out of bath towels.

Move to my elementary school days and Batman was still an important character, but he was the Batman, a dark hero battling villains such as the maniacal Joker and the exotic Ra’s Al-Ghul.

Jump to college. Comics remained an occasional interest, but mostly as bathroom reading and the only titles that came into the house were stuff Dad found at garage sales. In 1985, I was buried in pretending to do homework and most of the fiction I read was what my teachers assigned. That’s when I happened on a story in the newspaper about Frank Miller’s “Batman: The Dark Knight Returns,” a four-issue series about the Batman coming out of retirement in his 50s. Like millions of others, I checked them out and loved them. Those comics were hugely popular, as was the follow-up “Batman: Year One,” also written by Frank Miller and presented in four issues of the ongoing “Batman” comic book.

Batman BeginsOf course, Warner Bros., owner of DC Comics, couldn’t help but notice that the Caped Crusader was more popular than ever and decided to make a movie. Tim Burton’s original “Batman” – starring Jack Nicholson as the Joker and Michael Keaton as Bats – debuted on the big screen in 1989 and generally pleased fans like me, even though the story pretty much fell apart in the last hour. It was followed up in 1992 by “Batman Returns,” featuring Michelle Pfeiffer as an interesting Catwoman and Danny DeVito as a disgusting Penguin. Fans are split on that one; I didn’t care for it and found Joel Schumacher’s follow-up – “Batman Forever” (1995), with Val Kilmer as the title hero and Chris O’Donnell as Robin – an improvement despite the forgettable villains and increased camp. However, I’ll never forgive Schumacher for the fourth movie in the series, “Batman and Robin” (1997), a film that failed so spectacularly further Bat-projects were shelved for years.

Scott WhitworthThose of us who liked Frank Miller’s vision of Batman found things to enjoy about some of these Batman movies, but… Read the rest

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