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Custom wedding cake toppers and a healthy sense
of humor got Troy McDevitt started on his career as a sculptor

June 1st, 2010

On his Facebook page, Troy McDevitt describes his business, The McDevitt Studio, as “a magical place. For the past several years, I’ve laid a lump of clay out on my workbench before going to bed at night and in the morning, someone has used it to sculpt a brand new statue! This is where all my cake toppers and other sculpts have come from.

“Once, my wife and I hid in the closet and we saw that it was, in fact, two adorable little elves that sneak in and create these wonderful little sculpts for us as we sleep. She suggested that, as a way of repaying them, we should make them some little pants and shirts and shoes, since they were barefoot and the clothes they wore were all dirty and tattered. It was getting very, very cold outside and she felt this was the least we could do for all that they’ve done for us.

“I told her to keep her stupid suggestions to herself and that the cold air would help keep them awake. Call for pricing!”

Plainly, Troy approaches his work with a sense of humor and his work reflects it. Just look at one of his latest pieces, “Charge!”, a licensed 1/6 scale reproduction of a painting from British artist Aly Fell. Commissioned by Marc Havican of Space City Resin, “Charge!” is a perfect translation of the artwork into three dimensions, a wonderful sculpture that’s both sexy and funny.

Troy, 38, lives in Concord, N.C., with his wife, Stephanie; daughter, Lexi, 8; and son Tanner, 5. Running The McDevitt Studio is his full-time job. “This is all I’ve got,” he says, “and if I can’t make it work, I’m screwed because I have no other skills.”

Most of his work until recently has been garage kits and one-of-a-kind pieces, but he has gradually been doing more prepaint statues for different companies. “I look at it as a sign that my work has improved and I’m finally able to produce the kind of work that some of the larger companies require.”

So far, Troy has worked with Bowen Designs, ARH Studios, Reel Art Studios, Resin Pimps, Dark Carnival, and several independent kit producers and private collectors.

“My primary focus is, of course, the sculpting, but I think you have to be able to do it all to survive and even prosper in this hobby,” he says. “You need to be able to mold and cast your own work and at least be a little more than proficient at painting, for one-of-a-kind pieces and paint masters for prepaint statues. Honestly though, I enjoy the end results of painting, but I wish I was able to spend 100 percent of my time sculpting.… Read the rest

Filed under Comics, Monsters, Sculptors | 4 Comments » |

Sinbad’s ‘Silver Age’ advertising appearance

April 5th, 2010

Monarch’s ad for the upcoming Sinbad kit. Says Scott McKillop of Monarch: “I was hoping to achieve the DC comics look that the Aurora ads had back in the Silver age.”… Read the rest

Filed under Comics, Hobby news, Styrene plastic, Swashbucklers and buccaneers | Comments Off |

The characters of sculptor Robert Blair’s imagination can
crack you up at the same time they’re making your skin crawl

April 1st, 2010

Look at the faces on some of these characters. Demon of the Harvest. Crookneck. Jack the Ripper. Even little Alice, concealing silverware as she awaits Humpty Dumpty’s fall. The characters look so happy, and they’re all obviously so nasty.

Welcome to the worlds of Robert Blair, a sculptor who knows our childhood fantasies are only a breath away from our childhood nightmares.

A craftsman shapes wood into a boy, and that creation magically comes to life. Would this child be the sweet but musically mischievous rascal Walt Disney envisioned, or would he be Robert Blair’s creaky, splintery, grasping monster? I liked the cartoon version when I was younger, but now I get a bigger kick out of the chiller Robert calls Gepetto’s Nightmare.

Robert’s work is so familiar, yet so different. His Garden Gnome has the beard, tall hat and outfit you expect, but this little guy is dangerous. His Nosferatu shares the bald pate, long nails and robe of all Max Schrek figures, but it creaks with extra age, malice, and long, weird arms. You wish his Cheshire Cat would turn invisible so you wouldn’t have to look at that nasty, wrinkled thing.

Robert Blair, 53, lives in Aylmer, Quebec, a small town just outside Ottawa. He worked as a hairstylist for 32 years, but retired from that. In addition to sculpting, he molds and casts, and produces his works, available to fans through his website, blairsculpture.ca. He has also painted most of his own pieces.

To date, Robert has primarily sculpted horror and comic kits. “I can proudly say most of my works are original concepts or my own takes on comic book characters,” he says.

His wife created and maintains his website.

Q&A WITH ROBERT BLAIR

Resin the Barbarian: Are you as fascinated with the macabre and the humorous as your work suggests? If so, could you say how this came about?

Robert: Well, I suppose you could say I have a certain fondness for the dark side. I’ve always found it a lot more interesting. I particularly enjoy sculpting pieces like Gepetto’s Nightmare or the Alice figures because I suppose I get a certain sick pleasure in taking children’s fairy tale characters and twisting them into murderous psychopaths.

RtB: Many of your creations strike me as thoroughly evil yet very happy characters. Demon of the Harvest and Crookneck are good examples, as are the Demons of Dance I wrote about in 2006. I get the idea that these are folks who enjoy a good joke. Is this something you do intentionally?

Robert: Yes. I feel there is nothing creepier than a creature with a sinister smile. You just know there is evil lurking behind that smile.… Read the rest

Filed under Comics, Historical, Monsters, Resin, Sculptors | Tags: , , , | 1 Comment » |

Bobby Horne uses brand-new decals, costumes and customization to renew old Megos and other models and figures

November 1st, 2009

For a lot of us, the concept of setting aside childish things just because we’ve grown up is alien. We want that child inside us to be there forever. For others, those “childish things” are naturally woven into the adults we become. I think Bobby Horne is one of those guys.

Bobby is almost 43 years old, all grown up and lives in mid-Tennessee. He has been married for 21 years to the “beautiful and understanding” Jennifer. Their three kids are Kirstie, 17, William, 12, and Endora, 6.

He works as a graphic designer, “anything from sign work, computer graphics to woodworking. Years ago, I worked in a cabinet shop and never got the sawdust outta my blood.” Sort of like resin model kits, he said. “Once you start, you never really stop.”

Bobby is about two years younger than I, so I think we grew up enjoying some of the same stuff: G.I. Joe, Big Jim, that kind of thing. Maybe he read some of the same comics I did, and was just as thrilled when the Mego figures of comic characters (both Marvel and DC!) were introduced.

Today, through his Academy Art & Design, Bobby offers customized Megos, decals and plenty more. E-mail him at aadesign@nctc.com.

Q&A WITH BOBBY HORNE

Resin the Barbarian: What’s your own personal “toy story”? Megos seem to be your particular interest. Do you remember when you became a fan, and what figure first got your attention?

BatdecalsHorne11-09

Bobby: My toy story goes as this: I can remember back when I was 5 years old and getting my first Mego figure. It was a removable mask Batman. This was the greatest thing I had ever saw. This ended up being a truly loved toy. It didn’t survive over the years; only parts of it.

Here’s a link for people that don’t know what Megos are: www.Megomuseum.com/

RtB: How did your interest in Megos, Big Jims, etc., translate from childhood into adulthood? Do you still have the toys you collected way back when, or did you go in search of it all again?

Bobby: A lot of my toys (Megos, Big Jim, Micronauts and comics) remain in my collection to this day. I guess I never really grew up. But when I discovered eBay in the ’90s, like many others, I began to add to my collection.

I always looked at the custom Mego stuff. These were the figures that Mego never made. Back then, there were only a few really good customizers that could get big money. I noticed a lot of extremely poor customs sold really well. I thought to myself ” I know I can do better”.

So, I started building a few custom Megos and they sold pretty good.… Read the rest

Filed under Comics, Producers | Tags: , , , , | 6 Comments » |

Two issues of Horizon’s Keaton Batman; what’s the difference?

September 20th, 2009

Horizon Original’s Michael Keaton Batman from “Batman Returns” may be my favorite superhero kit. Sculpted by Steve Wang, it is a wonderfully dynamic portrayal of the Dark Knight produced by a great company. Plus, it’s vinyl, and despite my “Resin” blog name, vinyl is generally my preferred medium for garage kits.

This kit was made available twice, first in a nice large box, plenty of room for the kit, with some neat images from the movie (and by the way, despite my fondness for the costume, I didn’t think much of “Batman Returns”). The second issue was in a much smaller box and the parts are stuffed in.

I heard some time back that the second issue of the kit had a somewhat better likeness of Keaton, possibly because someone, somewhere, decided to soften some of Mr. Wang’s detail before releasing the kit first time around. I glanced at them to see if I could figure out what was different, but never really examined them until today.

Here’s my conclusion: It’s true, the second version of the kit does look better. It’s hard to tell because the first one is cast in a creamy vinyl that makes it difficult to see some of the detail, while the second is in a nice primer-colored gray. But the first one does look a little softer. There’s more of a sneer to the second one, possibly because the lips are a bit more full. Some details to the jowls are more defined as well.

The curve to the bat-ears, by the way, is not a difference between the two versions. It just reflects how much the second kit was stuffed into its box. I’ll have to heat those and straighten them up when I finally get around to building the kit.

Both versions are terrific, but the second looks a little better. Given the change in parts breakdown, though, I think it will also be harder to build.… Read the rest

Filed under Comics, Vinyl | 2 Comments » |

Mike Hill’s career in clay begins on an English riverbank,
leads to helping remake ‘The Wolfman’ in L.A.

August 10th, 2009

Anyone with more than a passing familiarity with garage kits knows the work of Mike Hill. His hands have shaped some of the hobby’s most respected figure kits, including the characters in my personal all-time favorite, Janus’s incredible Dracula and Bride deluxe combo.

Read any “grail” list in an online forum and you’ll find Mike’s works cited repeatedly. If not the Janus kit, then perhaps one of his wonderful “Curse of the Werewolf” pieces, or a Universal Frankenstein Monster, or a Spider-Man, or … well, the list goes on.

The kits — Mike guesses there are more than four dozen of them — have been offered by a range of producers including Killer Kits, Janus, Forbidden Zone, 5th Sense, GEOmetric Design, G-Force, Creatures Unlimited, Jayco, Zotz and, of course, his own company, Shapeshifters, which he ran from about 1992 until 2000.

Then there are his other works. To quote his biography from Mike’s website, mikehillart.com, “his career to date has included figure kit sculpting, wax figures, creature designing, prosthetic makeup, and creating hyper-real character statues.”

Mike has done amazing life-size sculptures, including full-size versions of painter Alex Ross’s Superman and Batman for Ross himself. He’s done wax figures for Madame Tussaud’s and recently visited online forums to share photos of an astounding life-size sculpture of Boris Karloff being made up as the Monster.

He has also worked in movies, including the current “Wolfman” remake with makeup legend Rick Baker.

“I am in the process of developing my own movie projects with my own production company, Pure at Heart,” Mike wrote in an e-mail interview.

Rick Baker, Alex Ross, Hugh Hefner and more own pieces of Mike’s work.

Mike Hill was born in Cheshire, England, and now resides in Los Angeles. He recently celebrated his 40th birthday with his wife, Jessica, and his two sons, Colum and Connah.

He goes by “mickkk1969” in various online forums, a moniker he says originated with a difficulty he had selecting a username. “I was having problems with my log-ins so I typed something real fast. ‘mick1969’ … didn’t work. ‘mickk1969’ … didn’t work. ‘mickkk1969’ did. Groan —  stupid answer I know. I really need to change it.”

His lifelong love of fantastic subjects, nicely illustrated on his website, helped inspire him to become a sculptor. “I messed with clay as a kid, I used to dig it up from the riverbank and sculpt various renditions of Kong and his dinosaurs, but I guess I took it more serious around 17.”

MIKE HILL’S WORK WEEK AND TOOLS OF THE TRADE

Resin the Barbarian: What kind of work do you do most? And, what kind of work do you most enjoy doing?

Mike: At the moment I seem to be doing life-size heads more than anything.… Read the rest

Filed under Comics, Monsters, Sculptors | 13 Comments » |

Kingdom Come Superman from MikeTek

July 11th, 2009

Originally published Aug. 10, 2006, at GJSentinel.com

MikeTek

“KINGDOM COME SUPERMAN BUST”
First in a series of busts inspired by the artwork of Alex Ross.
Produced by MikeTek.
1/4 scale, resin, one piece.
Price: $50, including shipping inside the United States.

MikeTekTen years ago, comic books were pretty much over for me. Not entirely over, I’d pick up a title every now and then, but for the most part the writers were putting out stories I’d read before, the artists drawing the same muscle-popping heroes. I stopped in at Comics Odyssey on North Avenue (like most comics shops I know of, it folded years ago) and browsed once a month or so, but only when I was bored.

During one of those stops, I happened to see a promo poster for the upcoming four-part series “Kingdom Come” by Mark Waid and Alex Ross, neither of whom I’d heard of. I wasn’t interested. But then the shop’s owner pointed it out and said it would be good, so I figured I had little to lose and bought the first issue when it was available.

It was wonderful. Best comic I’d seen in years, since Frank Miller’s “The Dark Knight Returns” and Alan Moore’s “Watchmen” in the ’80s, and better than anything I’ve seen since.

Like “Watchmen” and “Dark Knight,” “Kingdom Come” is set in the future, when the children of the original superheroes are wreaking chaos around the world. They’ve grown up in a society that values revenge over justice; their leader is a ruthless superhuman vigilante called Magog, whose popularity so disgusted Superman years before that he retired to his arctic Fortress of Solitude.

The young superhumans’ carelessness climaxes in a battle with a villain called the Parasite. In a desperate moment, the Parasite manages to split open the nuclear-powered Captain Atom, which causes a blast large enough to kill a million people and destroy the farmlands of Kansas.

Seeing how much things have deteriorated during his years of isolation, Superman comes out of retirement, wearing an “S” shield with a black background that I presume was inspired by the 1940s Fleischer cartoons. The Man of Steel reforms the Justice League, and…

MikeTekWell, stop by a bookstore and pick up the graphic novel collection of all four issues if you want to know the rest. Believe me, if it sounds stupid, it’s probably because I simply can’t properly explain it. Mark Waid is generally a good writer and this is probably his best; more importantly, Alex Ross’ artwork is nothing short of amazing. He paints the familiar characters – Superman, Batman, Wonder Woman, Green Lantern, Captain Marvel and more – in a way that maintains their “mythological” feel while also making them look like real human beings.… Read the rest

Filed under 2006 archive, Comics, Producers, Resin | Comments Off |

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