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Archive for the ‘Resin’ Category

The Black Heart of George Stephenson: GEOmetric founder reunites with Earthbound, Simon, returns to GK production

January 1st, 2010

Some people like pro football, so they pay attention to NFL players, and not just when the players are on the field. Same goes for fans of every other sport, or movies, books, daytime television … whatever. If something interests us we study it, and the people involved, with more enthusiasm than anything our social studies teachers could have dragged out of us.

I like model kits and have learned a lot about the people who make them. One fellow I’ve always wondered about is George Stephenson, founder and former owner of GEOmetric Design.

GEO was one of the first big garage-kit companies I became aware of after re-entering the hobby in late 2001 and its models quickly captured my attention. They were wonderful, affordable kits sculpted by some of the most talented people in the hobby, including William Paquet, Mike Hill, Jeff Yagher, Joe Simon, Thomas Kuntz and Takayuki Takeya.

It didn’t take long to figure out George was the man who ran GEOmetric. It also didn’t take long to figure out George was quitting the business and slowly shutting down GEO.

Bad, bad news for this budding middle-aged hobbyist. It was a relief when Phoenix Comics owner Al Matrone made a deal to buy GEOmetric in 2003 and continue the company.

In the years since, I’ve crossed paths with many of the creative people involved in GEOmetric and have interviewed some of them for Resin the Barbarian. George … well, I briefly met him twice, once at Imagine-Nation Expo 2002, which I believe was the last hobby show he attended as GEO’s owner; and the second time at WonderFest 2005, where I found myself standing next to him in the dealers’ room. I took the opportunity to introduce myself before quickly running away for fear of being even more of a pest than I’m used to being.

Both occasions predated the creation of this blog, and so I couldn’t create an excuse to throw a bunch of fanboy questions at him. In the years since, it would have felt rude. The guy’s a judge in his day-to-day life, I had no business pestering him to talk about the hobby he departed years ago.

Imagine my delight upon hearing in 2009 that George Stephenson was returning to garage-kit production, and that his new company would be called Black Heart Enterprises.

GOODBYE GEOMETRIC, HELLO BLACK HEART

A brief confession is in order. An awful lot of what you’re about to read… Read the rest

Filed under Monsters, Producers, Resin, Sci-Fi, Swashbucklers and buccaneers | 4 Comments » |

Sculptor Kent Kidwell focuses for now on his original
creations and hopes to work with more familiar characters

December 1st, 2009

The Head Merchant. What a name for a character. When he lumbered onto the garage-kit scene a couple years ago, I was struck by both his originality and his familiarity. The character is a cheerful but deadly, axe-toting barbarian on the back of a … whatever that horned creature is, packing a bouncing supply of severed heads. If someone told me this was an image that flowed from the paintbrushes of Frank Frazetta, I would have believed it.

But it’s not Frazetta’s work. It was created by sculptor Kent Kidwell, and for many hobbyists it was a memorable introduction.

Kent Kidwell, 40, lives in Florence, Ariz. He’s married to Linda and has four kids, Chessa, 4, Gabriel, 6, Kaleb, 14, and Samantha, 17. His business is Kidwell Concepts, which offers sculpting, mold-making, casting, design and multimedia. Running his business is a full-time endeavor for Kent; he says it’s all he knows how to do.

“Sadly, almost 20 years of sculpting, mold making and casting has made me unqualified for normal employment,” he said. “I would get fired at Taco Bell, I would get caught making a zombie bust made of beans and that would be it.”

The majority of his clients are private buyers who want unique fine art for home use, some office, but he has done work for larger companies as well.

“Being so young in the resin kit industry, I have just focused on releasing original kits,” he said. He’d like to do familiar characters such as the Hulk or Batman. “For some reason, I haven‘t been pursued for that genre much, not sure why. But I’m pretty sure I will be doing some comic characters soon, I hope.”

For now, the garage kits available directly from Kent are the Head Merchant, Pod Creature and Shadow Host General of the Undead.

I always ask the subjects of these interviews to share photos of themselves. Kent declined, but suggested readers envision him as “Quasimodo meets Uncle Fester, with charm.”

Q&A WITH KENT KIDWELL

Resin the Barbarian: You sort of burst onto the garage-kit scene a couple of years ago with your Head Merchant kit. Since then, what have you most enjoyed about being involved in the hobby?

Kent: Before I answer that, Todd, I just wanted to thank you for the chance to meet your readers. This is my first interview based on this hobby so I’m flattered.

To your question, I think there are two parts for me I enjoy. The first is the original kits side of things. I sincerely love the creative process of doing something that is uniquely your own, and being free to expand on that… Read the rest

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The Headless Hearseman digs up classic figure kits,
gives hobbyists a 21st century lesson in Monstrology

September 3rd, 2009

The impression I get is that Fritz Frising, “The Headless Hearseman”, could happily start his day watching his 4-year-old son, Andi, put Band-Aids on his monster models’ ouchies, move on to a comfortable tea-time chat with a WWII veteran’s 88-year-old widow, then finish up late discussing deathrock icons in the heart of a group most men in their early 40s would go out of their way to avoid.

A blend of past and present, courtesy and peril, elegance and roughness, plus a healthy dose of talent, that’s how Fritz strikes me … much like Monstrology Models, which Fritz has resurrected.

MonstrologyLogoMonstrology originally rose in the 1990s under founder Jon Wang. “I was a huge horror movie fan and Aurora monster model builder since I was a little kid,” Jon said in an e-mail interview. “At the Fangoria and Chiller shows of the late ’80s and early ’90s I saw incredible sculptures by guys like John Dennett, Thomas Kuntz, Yagher and Bowen and of course the Billiken stuff — and was inspired to start sculpting.

“I hadn’t really planned on starting a company, but things just spiraled and eventually Monstrology was born — the idea being the ‘study’ of these horror characters through sculpture.”

The company produced more than its share of early garage-kit classics, particularly a handful of figures sculpted by William Paquet, “who did what I consider to be some of his best work for Monstrology,” Fritz said via e-mail.

Those figures include a John Barrymore Mr. Hyde, based on the 1920 movie “Dr. Jekyll and Mr. Hyde”; Vincent Price as Nicholas Medina in 1961’s “The Pit and the Pendulum”; and Charles Ogle as the Monster from Edison Studios’s 1910 production of “Frankenstein”. Jon also sculpted his share of great figures, including the ape man from a lost 1927 film called “The Wizard” and Glenn Strange as Petro from 1942’s “The Mad Monster”.

“It was satisfying to bring a project from something in one’s imagination to something 3D and all that went along with that as far as marketing and advertising — box art, instructions, etc.,” Jon said. “And it was fun to work with all the people involved in creating those projects — people like mold maker MP Stehlik, of course master sculptor William Paquet and graphic artist Rich Hilliard — who were most involved at least early on. Of course Fritz as well, who was initially a great supporter of Monstrology and then by way of our friendship and similar artistic visions became a collaborator — he’s also a huge Lugosi fan and that’s a passion we both share.”

Many of the characters were monsters — rough, slouching beasts of demented or evil intent — yet they were so artistically created… Read the rest

Filed under Monsters, Painters, Producers, Resin, Sculptors | Tags: , , , , , | 5 Comments » |

Mike Rutherford paints Retro Resin’s Fly and more

July 11th, 2009

Originally published Sept. 27, 2006, at GJSentinel.com.

Trendon

Some guys just seem to be particularly in love with this hobby of ours. Mike Rutherford, 38, of New England has long struck me as one of them. Check out his Web site, which is stuffed not only with pictures of his own kit buildups, but with information about model kits both past and present and plenty of other genre subjects of interest to hobbyists.

Mike’s also a family man; his wife is Melanie, his kids are Michael and Madison.

MIKE RUTHERFORD AND MODEL KITS

Resin the Barbarian: You strike me as someone who truly loves this hobby and has for a long time. How long have you been involved in building kits, and what got you started?

Mike: Hello Todd, and thank you for this opportunity.

TrendonWhat got me started was my Uncle Jonathan, in 1971.

When I was 4 years old and he about 10, he had both the Victim and the Frankenstein “Monster Scenes” kits. We would play with these as toys.

My grandmother had an old birdcage that we would use as a cage for the Monster to put the Victim inside of.

However, I didn’t get a model kit of my very own until a few months later. It was a glow in the dark kit called “Fiend” that was made by a company called Lindberg.

My first Aurora monster kit was the glow version of the “Forgotten Prisoner.”

Between the two of us, my uncle and I, we had most of the Aurora monster line.

If it hadn’t been for him, I truly wouldn’t have known the love of this hobby.

TrendonI’m glad that I was able to tell him this before his unforeseen passing this past March.

RtB: Which came first, your love of classic monster subjects or love of model kits?

Mike: Actually, it happened at the same time because I really didn’t know much about the monsters until I was exposed to the Aurora monsters. (Remember, I was only 4 years old.)

Believe it or not, what really hooked me was the box art. I was just obsessed with this art, as a kid and I still am.

RtB: Have you ever NOT been involved in building model kits?

Mike: Yes and no.

There were times when I didn’t build but it wasn’t because I wanted to stop. However, I’ve been involved with the Aurora monsters at some point during each… Read the rest

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Andy Bergholtz creates the Salty Sea Dogs

July 11th, 2009

Originally published Aug. 16, 2006, at GJSentinel.com.

“THE SALTY SEA DOGS”
Sculpted by Andy Bergholtz of AB Sculpture Studio.
Available from Dark Carnival.
1/4 scale, resin.
The first two “Sea Dogs” sell for $75 plus shipping; price on the Captain is $85; the set of all three is $175.
Kits in pictures painted by Phil Sera.

The truth about pirates was ugly. They were thieves and murderers sailing the high seas, and the closest thing they probably got to taking a bath was the occasional saltwater spray from the waves. No fun at all. But the iconic images of pirates built around sources such as the Pirates of the Caribbean and Robert Louis Stevenson’s “Treasure Island” – that’s fun.

Sculptor Andy Bergholtz celebrates those iconic images with his “Salty Sea Dogs,” a trio of buccaneers who are obviously very happy about being very bad. They’ve never had what Andy calls “official” names, but he refers to them as the Captain (the most recently introduced), Deadeye Henry and Frosty Bill.

Andy, 27, lives in St. Louis. He’s married and has kids: Lucy, 3; Andy Jr., 18 months; and a third on the way.

Norm “Kitman” Piatt wrote a terrific interview with Andy in the Spring 2004 issue of the now-defunct Modeler’s Resource. The magazine doesn’t seem to be available through the MR Web site, but it’s worth searching for you if you want a more in-depth piece about Andy. For now, I’ll share what he told me through e-mail.

Andy Bergholtz

Q&A WITH ANDY BERGHOLTZ

Resin the Barbarian: Were the Sea Dogs based on some kind of illustration?

Andy BergholtzAndy: I didn’t use any illustrations as a basis for the designs, they are all original. I was heavily inspired by imagery from the Pirates of the Caribbean Disneyland attraction, which has always been an obsession of mine. Old-school Disneyana is kind of a hobby for me, I’m a huge fan of anything related to the Pirates or Haunted Mansion, etc. These busts are in large part an homage to the old greats like Marc Davis and Blaine Gibson.

RtB: The first two “Salty Sea Dogs” have been around for more than a year; the Captain is new. How long, roughly, did it take from the first, “let’s do this” step when you (and Robb, I resume) decided to do this until now, when all three are ready?

Andy: Well, the first two busts were not planned, they were just clay sketches… Read the rest

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Kingdom Come Superman from MikeTek

July 11th, 2009

Originally published Aug. 10, 2006, at GJSentinel.com

MikeTek

“KINGDOM COME SUPERMAN BUST”
First in a series of busts inspired by the artwork of Alex Ross.
Produced by MikeTek.
1/4 scale, resin, one piece.
Price: $50, including shipping inside the United States.

MikeTekTen years ago, comic books were pretty much over for me. Not entirely over, I’d pick up a title every now and then, but for the most part the writers were putting out stories I’d read before, the artists drawing the same muscle-popping heroes. I stopped in at Comics Odyssey on North Avenue (like most comics shops I know of, it folded years ago) and browsed once a month or so, but only when I was bored.

During one of those stops, I happened to see a promo poster for the upcoming four-part series “Kingdom Come” by Mark Waid and Alex Ross, neither of whom I’d heard of. I wasn’t interested. But then the shop’s owner pointed it out and said it would be good, so I figured I had little to lose and bought the first issue when it was available.

It was wonderful. Best comic I’d seen in years, since Frank Miller’s “The Dark Knight Returns” and Alan Moore’s “Watchmen” in the ’80s, and better than anything I’ve seen since.

Like “Watchmen” and “Dark Knight,” “Kingdom Come” is set in the future, when the children of the original superheroes are wreaking chaos around the world. They’ve grown up in a society that values revenge over justice; their leader is a ruthless superhuman vigilante called Magog, whose popularity so disgusted Superman years before that he retired to his arctic Fortress of Solitude.

The young superhumans’ carelessness climaxes in a battle with a villain called the Parasite. In a desperate moment, the Parasite manages to split open the nuclear-powered Captain Atom, which causes a blast large enough to kill a million people and destroy the farmlands of Kansas.

Seeing how much things have deteriorated during his years of isolation, Superman comes out of retirement, wearing an “S” shield with a black background that I presume was inspired by the 1940s Fleischer cartoons. The Man of Steel reforms the Justice League, and…

MikeTekWell, stop by a bookstore and pick up the graphic novel collection of all four issues if you want to know the rest. Believe me, if it sounds stupid, it’s probably because I simply can’t properly explain it. Mark Waid is generally a good writer and this is probably his best; more importantly, Alex Ross’ artwork is nothing short of… Read the rest

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Pirate Captain by H2Creative

July 11th, 2009

Originally published Aug. 3, 2006, at GJSentinel.com.

Pirate Captain

Pirate Captain“PIRATE CAPTAIN”
Sculpted by Jim Maddox.
Produced by H2Creative, info@h2creative.com.
1/6th scale resin bust in six parts.
$75 plus shipping.

Something about Disney’s “Pirates of the Caribbean” connected with me right from the start – and I don’t mean the movies, I mean the characters from the rides at Disneyland and Disney World, which I discovered when Johnny Depp was probably a year or two ahead of me in grade school. I’m pretty sure it’s because I was fascinated with the idea of “living” skeletons sailing the seas.

Like so many of the entertainment things I’ve loved in my life, I was introduced to the Pirates through model kits. Specifically, a series of kits from the company MPC, heavily advertised in comics in the early to mid-’70s. I remember staring at displays of those kits every time Mom took us to Kmart.

I’m not positive, but I think I did end up getting one of those kits – one of the skeleton ones, I’m not sure which – and made such a discouraging mess of putting it together that I quit bugging my parents to buy me more. Now I’m hoping someone will repop the kits for today’s kids (and grown-ups) the way Polar Lights did for the classic Aurora monsters, because I’m not willing to pay eBay prices for 30-year-old boxes of plastic.

For the moment, however, corporate America doesn’t seem interested in the relatively small but thriving community dedicated to figure model kits, even though the financial success of the first “Pirates of the Caribbean” movie and even greater financial success of its current sequel (which recently became Disney’s all-time-biggest money maker) would seem to indicate that repopping the old kits would make a little money for someone. Oh, well. Fortunately, hobbyists such as myself can turn to garage-kit producers for some wonderful stuff, particularly the “Pirate Captain” recently introduced by H2Creative. Inspired by the character of Davy Jones in “Dead Man’s Chest,” this pirate has been shivering the timbers of many a GK fan recently.

Pirate CaptainFamily man Lonnie Hale, 38, of Atlanta is the man behind H2Creative. He has mostly worked at producing resin model kits – “literally dozens” – for other people’s companies and he also produces “a lot of movie prop stuff for people.” One of the biggest things he produces is a line of 1/6 scale “Hero Heads” and he sells once a month on eBay under the member name “TK570.”

“I really specialize in very small run stuff and/or… Read the rest

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