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Archive for the ‘Painters’ Category

Clubhouse co-founder Mark Mitchell helped glue together a strong modeling community of friends who’ve never met

February 1st, 2010

Words from another Clubhouse co-founder: The one person I credit for the existence of the Clubhouse is Mark. He was the person that put in the hard work and dedication to create this community that survived these long nine years. He set the standards that allowed the Clubhouse to stand the test of time. He fought the battles and the Clubhouse stands as a testament to his determination. Everyone in the community owes a debt of thanks to this man. There would be a lot less styrene and resin in the world if not for Mark Mitchell. He is a generous soul. He has been and always shall be my friend.

— Harry “Spock”

“Friend” has taken on a new, sometimes peculiar meaning in the 21st century. How many of those people sharing game scores through their Facebook pages do you really know? Some of them, yes, and maybe all of them strike you as folks who’d be interesting if you could just take a little time to acquaint yourselves … which is probably never gonna happen.

Lots of people who call Mark Mitchell “friend” have never seen his face in person, never heard his voice, might not know him if they passed each other on the street. But they’re friends just the same, and they share more of their lives with each other than many of us do with our next-door neighbors.

I consider Mark my friend, part of a special group of people with whom I’ve interacted only through various hobby forums and e-mails. He used to type more words of encouragement in a week than I could read. He also pissed me off from time to time, and I know I did the same to him.

I’ve known him about seven years.

Third Clubhouse co-founder: Hi, fellow modelers,

I just want to say a few words about my old buddy Mark Mitchell. He was there in the beginning when I first started my Yahoo group Marvel Model Club back in the late ‘90s. We were a couple of superhero comic geeks! But Mark was a DC guy, so he decided to start a DC modeling group. Then the next thing you know Spock invited us to move over to his Clubhouse and as the saying goes, the rest is history (read about it here).

In those early days of the Clubhouse, Mark was an administrator and a driving force that helped turn it into a premiere modeling club. Our hobby wouldn’t be what it is today without Mark’s kindness and generosity. Mark worked his ass off for the Clubhouse. It took a tremendous amount of his time and energy, we all… Read the rest

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The Headless Hearseman digs up classic figure kits,
gives hobbyists a 21st century lesson in Monstrology

September 3rd, 2009

The impression I get is that Fritz Frising, “The Headless Hearseman”, could happily start his day watching his 4-year-old son, Andi, put Band-Aids on his monster models’ ouchies, move on to a comfortable tea-time chat with a WWII veteran’s 88-year-old widow, then finish up late discussing deathrock icons in the heart of a group most men in their early 40s would go out of their way to avoid.

A blend of past and present, courtesy and peril, elegance and roughness, plus a healthy dose of talent, that’s how Fritz strikes me … much like Monstrology Models, which Fritz has resurrected.

MonstrologyLogoMonstrology originally rose in the 1990s under founder Jon Wang. “I was a huge horror movie fan and Aurora monster model builder since I was a little kid,” Jon said in an e-mail interview. “At the Fangoria and Chiller shows of the late ’80s and early ’90s I saw incredible sculptures by guys like John Dennett, Thomas Kuntz, Yagher and Bowen and of course the Billiken stuff — and was inspired to start sculpting.

“I hadn’t really planned on starting a company, but things just spiraled and eventually Monstrology was born — the idea being the ‘study’ of these horror characters through sculpture.”

The company produced more than its share of early garage-kit classics, particularly a handful of figures sculpted by William Paquet, “who did what I consider to be some of his best work for Monstrology,” Fritz said via e-mail.

Those figures include a John Barrymore Mr. Hyde, based on the 1920 movie “Dr. Jekyll and Mr. Hyde”; Vincent Price as Nicholas Medina in 1961’s “The Pit and the Pendulum”; and Charles Ogle as the Monster from Edison Studios’s 1910 production of “Frankenstein”. Jon also sculpted his share of great figures, including the ape man from a lost 1927 film called “The Wizard” and Glenn Strange as Petro from 1942’s “The Mad Monster”.

“It was satisfying to bring a project from something in one’s imagination to something 3D and all that went along with that as far as marketing and advertising — box art, instructions, etc.,” Jon said. “And it was fun to work with all the people involved in creating those projects — people like mold maker MP Stehlik, of course master sculptor William Paquet and graphic artist Rich Hilliard — who were most involved at least early on. Of course Fritz as well, who was initially a great supporter of Monstrology and then by way of our friendship and similar artistic visions became a collaborator — he’s also a huge Lugosi fan and that’s a passion we both share.”

Many of the characters were monsters — rough, slouching beasts of demented or evil intent — yet they were so artistically created… Read the rest

Filed under Monsters, Painters, Producers, Resin, Sculptors | Tags: , , , , , | 5 Comments » |

Mike Rutherford paints Retro Resin’s Fly and more

July 11th, 2009

Originally published Sept. 27, 2006, at GJSentinel.com.

Trendon

Some guys just seem to be particularly in love with this hobby of ours. Mike Rutherford, 38, of New England has long struck me as one of them. Check out his Web site, which is stuffed not only with pictures of his own kit buildups, but with information about model kits both past and present and plenty of other genre subjects of interest to hobbyists.

Mike’s also a family man; his wife is Melanie, his kids are Michael and Madison.

MIKE RUTHERFORD AND MODEL KITS

Resin the Barbarian: You strike me as someone who truly loves this hobby and has for a long time. How long have you been involved in building kits, and what got you started?

Mike: Hello Todd, and thank you for this opportunity.

TrendonWhat got me started was my Uncle Jonathan, in 1971.

When I was 4 years old and he about 10, he had both the Victim and the Frankenstein “Monster Scenes” kits. We would play with these as toys.

My grandmother had an old birdcage that we would use as a cage for the Monster to put the Victim inside of.

However, I didn’t get a model kit of my very own until a few months later. It was a glow in the dark kit called “Fiend” that was made by a company called Lindberg.

My first Aurora monster kit was the glow version of the “Forgotten Prisoner.”

Between the two of us, my uncle and I, we had most of the Aurora monster line.

If it hadn’t been for him, I truly wouldn’t have known the love of this hobby.

TrendonI’m glad that I was able to tell him this before his unforeseen passing this past March.

RtB: Which came first, your love of classic monster subjects or love of model kits?

Mike: Actually, it happened at the same time because I really didn’t know much about the monsters until I was exposed to the Aurora monsters. (Remember, I was only 4 years old.)

Believe it or not, what really hooked me was the box art. I was just obsessed with this art, as a kid and I still am.

RtB: Have you ever NOT been involved in building model kits?

Mike: Yes and no.

There were times when I didn’t build but it wasn’t because I wanted to stop. However, I’ve been involved with the Aurora monsters at some point during each… Read the rest

Filed under 2006 archive, Monsters, Painters, Resin | Tags: , | Comments Off |

Steve Riojas paints the Yagher Classics

July 11th, 2009

Originally published July 26, 2006, at GJSentinel.com.

Imagine you’ve got a kit that looks wonderful before you even start working on it. Something created by Jeff Yagher, a sculptor who is so talented and well-respected by garage-kit fans that the kit is named after him instead of the character it depicts. A kit that would look great if you just set the unpainted piece on a shelf.

Something like this:

YC12

If you’re like me, you might get intimidated and let the thing sit in its box, gathering dust until you feel you’ve gotten “good enough” to subject it to your talents. Or maybe you’d go ahead and slap some paint on it and figure, who cares that it’ll look worse when I’m finished than it did when I started? I’m doing this for fun.

If you’re Steve Riojas, paints are the tools you use to bring out the details and reveal the sculpture in a new light.

YC12

Take another look, side by side:

YC12

YC8“YAGHER CLASSICS VOLS. 1-12″
Sculpted by Jeff Yagher.
All 1/6 scale, resin.
Produced in limited numbers by Tower of London.
Available from X-O Facto.
Prices range from $150 to $250 plus shipping; check the X-O Facto Web site for specifics.

You know what I did when I first saw “Yagher Classics Vol. 1″? I cursed Tower of London. It was getting close to Christmas and I needed to spend my money on things other than model kits, but I saw that piece and reacted to it the same way I did to the neatest toys as a kid: “I want it!” I was well entrenched in the garage-kit hobby by then and was familiar with Jeff Yagher’s name, but I had no idea that “Vol. 1″ represented the beginning of one of the best series of kits ever produced.

I thought, “I’ll resist. It’s a model kit, I don’t HAVE to have it.” But all I’d seen up to then was a black-and-white picture of the raw sculpture. A few weeks later I saw full-color pictures of Steve Riojas’ paint-up and I knew where a chunk of my Christmas bonus was going.

Yagher ClassicsSteve Riojas, 50, has lived in Denver his whole life and loves it. He’s been married for 16 years to Lori; he has a daughter, Rachel, and two stepdaughters, Crystal and Jennifer.

Steve worked at a factory for 28 years; “when the company decided to shut its doors for greener pastures in Mexico, I… Read the rest

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