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Archive for the ‘Producers’ Category

Sculptor Kent Kidwell focuses for now on his original
creations and hopes to work with more familiar characters

December 1st, 2009

The Head Merchant. What a name for a character. When he lumbered onto the garage-kit scene a couple years ago, I was struck by both his originality and his familiarity. The character is a cheerful but deadly, axe-toting barbarian on the back of a … whatever that horned creature is, packing a bouncing supply of severed heads. If someone told me this was an image that flowed from the paintbrushes of Frank Frazetta, I would have believed it.

But it’s not Frazetta’s work. It was created by sculptor Kent Kidwell, and for many hobbyists it was a memorable introduction.

Kent Kidwell, 40, lives in Florence, Ariz. He’s married to Linda and has four kids, Chessa, 4, Gabriel, 6, Kaleb, 14, and Samantha, 17. His business is Kidwell Concepts, which offers sculpting, mold-making, casting, design and multimedia. Running his business is a full-time endeavor for Kent; he says it’s all he knows how to do.

“Sadly, almost 20 years of sculpting, mold making and casting has made me unqualified for normal employment,” he said. “I would get fired at Taco Bell, I would get caught making a zombie bust made of beans and that would be it.”

The majority of his clients are private buyers who want unique fine art for home use, some office, but he has done work for larger companies as well.

“Being so young in the resin kit industry, I have just focused on releasing original kits,” he said. He’d like to do familiar characters such as the Hulk or Batman. “For some reason, I haven‘t been pursued for that genre much, not sure why. But I’m pretty sure I will be doing some comic characters soon, I hope.”

For now, the garage kits available directly from Kent are the Head Merchant, Pod Creature and Shadow Host General of the Undead.

I always ask the subjects of these interviews to share photos of themselves. Kent declined, but suggested readers envision him as “Quasimodo meets Uncle Fester, with charm.”

Q&A WITH KENT KIDWELL

Resin the Barbarian: You sort of burst onto the garage-kit scene a couple of years ago with your Head Merchant kit. Since then, what have you most enjoyed about being involved in the hobby?

Kent: Before I answer that, Todd, I just wanted to thank you for the chance to meet your readers. This is my first interview based on this hobby so I’m flattered.

To your question, I think there are two parts for me I enjoy. The first is the original kits side of things. I sincerely love the creative process of doing something that is uniquely your own, and being free to expand on that… Read the rest

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Bobby Horne uses brand-new decals, costumes and customization to renew old Megos and other models and figures

November 1st, 2009

For a lot of us, the concept of setting aside childish things just because we’ve grown up is alien. We want that child inside us to be there forever. For others, those “childish things” are naturally woven into the adults we become. I think Bobby Horne is one of those guys.

Bobby is almost 43 years old, all grown up and lives in mid-Tennessee. He has been married for 21 years to the “beautiful and understanding” Jennifer. Their three kids are Kirstie, 17, William, 12, and Endora, 6.

He works as a graphic designer, “anything from sign work, computer graphics to woodworking. Years ago, I worked in a cabinet shop and never got the sawdust outta my blood.” Sort of like resin model kits, he said. “Once you start, you never really stop.”

Bobby is about two years younger than I, so I think we grew up enjoying some of the same stuff: G.I. Joe, Big Jim, that kind of thing. Maybe he read some of the same comics I did, and was just as thrilled when the Mego figures of comic characters (both Marvel and DC!) were introduced.

Today, through his Academy Art & Design, Bobby offers customized Megos, decals and plenty more. E-mail him at aadesign@nctc.com.

Q&A WITH BOBBY HORNE

Resin the Barbarian: What’s your own personal “toy story”? Megos seem to be your particular interest. Do you remember when you became a fan, and what figure first got your attention?

BatdecalsHorne11-09

Bobby: My toy story goes as this: I can remember back when I was 5 years old and getting my first Mego figure. It was a removable mask Batman. This was the greatest thing I had ever saw. This ended up being a truly loved toy. It didn’t survive over the years; only parts of it.

Here’s a link for people that don’t know what Megos are: www.Megomuseum.com/

RtB: How did your interest in Megos, Big Jims, etc., translate from childhood into adulthood? Do you still have the toys you collected way back when, or did you go in search of it all again?

Bobby: A lot of my toys (Megos, Big Jim, Micronauts and comics) remain in my collection to this day. I guess I never really grew up. But when I discovered eBay in the ’90s, like many others, I began to add to my collection.

I always looked at the custom Mego stuff. These were the figures that Mego never made. Back then, there were only a few really good customizers that could get big money. I noticed a lot of extremely poor customs sold really well. I thought to myself ” I know I can do better”.

So, I… Read the rest

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The Headless Hearseman digs up classic figure kits,
gives hobbyists a 21st century lesson in Monstrology

September 3rd, 2009

The impression I get is that Fritz Frising, “The Headless Hearseman”, could happily start his day watching his 4-year-old son, Andi, put Band-Aids on his monster models’ ouchies, move on to a comfortable tea-time chat with a WWII veteran’s 88-year-old widow, then finish up late discussing deathrock icons in the heart of a group most men in their early 40s would go out of their way to avoid.

A blend of past and present, courtesy and peril, elegance and roughness, plus a healthy dose of talent, that’s how Fritz strikes me … much like Monstrology Models, which Fritz has resurrected.

MonstrologyLogoMonstrology originally rose in the 1990s under founder Jon Wang. “I was a huge horror movie fan and Aurora monster model builder since I was a little kid,” Jon said in an e-mail interview. “At the Fangoria and Chiller shows of the late ’80s and early ’90s I saw incredible sculptures by guys like John Dennett, Thomas Kuntz, Yagher and Bowen and of course the Billiken stuff — and was inspired to start sculpting.

“I hadn’t really planned on starting a company, but things just spiraled and eventually Monstrology was born — the idea being the ‘study’ of these horror characters through sculpture.”

The company produced more than its share of early garage-kit classics, particularly a handful of figures sculpted by William Paquet, “who did what I consider to be some of his best work for Monstrology,” Fritz said via e-mail.

Those figures include a John Barrymore Mr. Hyde, based on the 1920 movie “Dr. Jekyll and Mr. Hyde”; Vincent Price as Nicholas Medina in 1961’s “The Pit and the Pendulum”; and Charles Ogle as the Monster from Edison Studios’s 1910 production of “Frankenstein”. Jon also sculpted his share of great figures, including the ape man from a lost 1927 film called “The Wizard” and Glenn Strange as Petro from 1942’s “The Mad Monster”.

“It was satisfying to bring a project from something in one’s imagination to something 3D and all that went along with that as far as marketing and advertising — box art, instructions, etc.,” Jon said. “And it was fun to work with all the people involved in creating those projects — people like mold maker MP Stehlik, of course master sculptor William Paquet and graphic artist Rich Hilliard — who were most involved at least early on. Of course Fritz as well, who was initially a great supporter of Monstrology and then by way of our friendship and similar artistic visions became a collaborator — he’s also a huge Lugosi fan and that’s a passion we both share.”

Many of the characters were monsters — rough, slouching beasts of demented or evil intent — yet they were so artistically created… Read the rest

Filed under Monsters, Painters, Producers, Resin, Sculptors | Tags: , , , , , | 5 Comments » |

An interview with Moebius Models

July 11th, 2009

Originally published Nov. 15, 2007.

What you see below is what I was able to recover of a Moebius Models blog entry I lost when the Clubhouse moved to a new server in early October 2007. The loss of that entry isn’t the worst inconvenience the Clubhouse experienced, and at least I held onto this much. The Q&A with Frank Winspur, the most important part, is intact, and for that I’m thankful.

Please keep in mind that Moebius has continued to make announcements about its future since I wrote this entry; check the Moebius Web site for information.

Resin the Barbarian: Why did you name your company Moebius?

Frank: The first two choices were turned down at the trademark office. I am a fan of the artist Moebius, and when I did a little more research and found out it is actually a mathematical term, I thought it would be a cool name. Its reference in mathematics is very interesting, I encourage everyone to check it out online at one of the many sites devoted to it.

RtB: As I understand it, you’re about to issue your third and fourth editions of the Dr. Jekyll as Mr. Hyde kit. The first was the long-box version; the second was a glow-in-the-dark Wonderfest long-box; the third will be a glow version released the week of Chiller; and the fourth will be a square-box glow version. Is it safe to say, then, that the doctor has been a success?

Frank: The doctor has been a great seller. We hadn’t planned on four releases of it, but the limited WF kit got quite a bit of e-mail sent to us. The Chiller edition will be visually different in the way of box art, but still the Frightening Lightning edition. Slight color change. More copies this time, 480, hopefully everyone that wants one will get one!

RtB: Is it true that the teeth were trimmed off the Jekyll mold master by someone in China? And, is there any chance the figure’s teeth will be restored in a future issue of the kit?

Frank: That’s not quite the whole story. We started out with a ’72 version to tool off of. There was basically nothing left for teeth on the kit we got, either head. It was a sealed kit, so I know no one tampered with it. I can only think that some of the detail wore off through all its pressings earlier. We have had much e-mail on this, and it will be fixed. The only problem is, how to get heads back out to customers… Read the rest

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More with Monarch Models

July 11th, 2009

Originally published July 1, 2007.

Thought I’d begin with an image I was anxious to see, and I’ll bet I’m not the only one.

As 2006 drew to an end, the future of the plastic figure model kit looked grim. Polar Lights was out of business and the established model companies didn’t seem to have any interest in figure kits. Then, in the middle of a thread at the Clubhouse’s “Styrene Dreams” forum, Jeff Yagher advised members to keep an eye out for Monarch Models.

I decided not to wait for news, but asked Jeff if he could put me in touch with the guy behind the company. He electronically introduced me to Scott McKillop, who was happy to talk about what he was up to. I wrote a news story that ran in my “Resin the Barbarian” blog during the holiday season, then I sat back and awaited updates from Scott.

A few weeks later, Frank Winspur of Doll & Hobby Shop exploded back onto the kit scene with Moebius Models, which he was launching with a repop of the long-missed Aurora Dr. Jekyll as Mr. Hyde, and following that up with a lot more. I was excited, but also concerned about what this apparent competition might mean. Scott, though, was just as happy as anyone.

Monarch’s first kit, Nosferatu, should be on work benches in a few weeks. Two more – the Moon Suit and the Ghost of Castel-Maré – have been announced and should be available this fall or winter. “We are also working on a cool little project that will hopefully come out in the early new year,” Scott said in an e-mail. “Real cool and real cheap. Plastic of course.”

Seems like a good time to get an update about where he’s heading with his new company.

Monarch Models

Resin the Barbarian: What’s your current expectation for when the first 2,000 Nosferatu kits will reach North America?

Scott: The Nossy kit should be in North America by the end of July. Gary is working on the instruction sheet and the second test shot has some tiny part fit errors being corrected as we speak.

RtB: Do you have a sense of how well the kit will sell? Does the potential for distribution look promising? I know a number of online dealers are offering presales.

Scott: The pre-order sales of Nossy are excellent. The last big distributor bought the last 404 kits. The first run of 2000 has been sold out (by Stevens Int., Hobbytyme, and Squadron). If a person hasn’t already… Read the rest

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Monarch gears up to become 21st century Aurora

July 11th, 2009

Originally published Nov. 28, 2006, at GJSentinel.com.

Monarch

In this era of shopper mania about PlayStation 3 or TMX Elmo, it’s easy to grow nostalgic about a time three or four decades past, when the Aurora company’s plastic monster models beckoned menacingly – but quietly – from store shelves.

Wide-eyed boys gazed at the bright artwork on those boxes, created by painters such as James Bama or Mort Kunstler, depicting the Frankenstein Monster, Dracula, the Wolf Man, Dr. Jekyll as Mr. Hyde, the Phantom of the Opera and more. At home, they struggled with the glue and paints needed to assemble the models, then often played with their creations until they fell apart.

Scott McKillop was one of those Aurora fans, and if he has his way, plastic monster models will return to excite boys of all ages by Christmas 2007.

MonarchMcKillop, 40, a doctor in London, Ontario, is dedicating one year of his salary to starting up Monarch Models, which he plans to launch late next year with a “Nosferatu” kit, based on the Max Schreck vampire, Graf Orok, in the 1922 F.W. Murnau silent film based on Bram Stoker’s novel “Dracula.” The film has moved into the public domain, and thus no licensing of the character is required.

The kit, designed by artist Gary Makatura and sculptor Jeff Yagher, and sculpted by Yagher, will be in one-eighth scale, the same as most of Aurora’s best-known monster kits, and will be “packaged to harmonize perfectly with the early Aurora long boxes,” McKillop said in an e-mail interview. He hopes the kit will make “the toughest die-hard Aurora fan feel like a 10-year-old again.”

McKillop wasn’t ready to be specific about what will follow the Orlok kit, but he did say the second offering is “a gift to the sci-fi fans, and the third offering is sure to spook you.” After that, he said, Monarch will “step into the murky waters of licensed properties.”

Makatura said Monarch will aim to be true to what Aurora could have actually produced “in both substance and spirit.” He will be in charge of original kit design and box-art illustration.

Monarch also intends to reissue classic Aurora kits that have been often requested by fans, McKillop said. This will be largely determined by how easily the company can get licensing agreements, and so he couldn’t say yet which kits might be reissued.

The company’s Web site is scheduled to be unveiled in February. McKillop said it will feature illustrations by Rod Keith, who will also be in charge of illustrations for Monarch’s… Read the rest

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Kingdom Come Superman from MikeTek

July 11th, 2009

Originally published Aug. 10, 2006, at GJSentinel.com

MikeTek

“KINGDOM COME SUPERMAN BUST”
First in a series of busts inspired by the artwork of Alex Ross.
Produced by MikeTek.
1/4 scale, resin, one piece.
Price: $50, including shipping inside the United States.

MikeTekTen years ago, comic books were pretty much over for me. Not entirely over, I’d pick up a title every now and then, but for the most part the writers were putting out stories I’d read before, the artists drawing the same muscle-popping heroes. I stopped in at Comics Odyssey on North Avenue (like most comics shops I know of, it folded years ago) and browsed once a month or so, but only when I was bored.

During one of those stops, I happened to see a promo poster for the upcoming four-part series “Kingdom Come” by Mark Waid and Alex Ross, neither of whom I’d heard of. I wasn’t interested. But then the shop’s owner pointed it out and said it would be good, so I figured I had little to lose and bought the first issue when it was available.

It was wonderful. Best comic I’d seen in years, since Frank Miller’s “The Dark Knight Returns” and Alan Moore’s “Watchmen” in the ’80s, and better than anything I’ve seen since.

Like “Watchmen” and “Dark Knight,” “Kingdom Come” is set in the future, when the children of the original superheroes are wreaking chaos around the world. They’ve grown up in a society that values revenge over justice; their leader is a ruthless superhuman vigilante called Magog, whose popularity so disgusted Superman years before that he retired to his arctic Fortress of Solitude.

The young superhumans’ carelessness climaxes in a battle with a villain called the Parasite. In a desperate moment, the Parasite manages to split open the nuclear-powered Captain Atom, which causes a blast large enough to kill a million people and destroy the farmlands of Kansas.

Seeing how much things have deteriorated during his years of isolation, Superman comes out of retirement, wearing an “S” shield with a black background that I presume was inspired by the 1940s Fleischer cartoons. The Man of Steel reforms the Justice League, and…

MikeTekWell, stop by a bookstore and pick up the graphic novel collection of all four issues if you want to know the rest. Believe me, if it sounds stupid, it’s probably because I simply can’t properly explain it. Mark Waid is generally a good writer and this is probably his best; more importantly, Alex Ross’ artwork is nothing short of… Read the rest

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