Resin the Barbarian - Part 2

Nosferatu: The story of a vinyl model that almost was

March 30th, 2011

 

For about two years, I fairly often caught myself shaking my head and wishing I had more guts. I came to realize that I had entertained a small dream — really, a small one — and just assumed it was out of my reach so I didn’t check it out. Several other guys weren’t so afraid, and now they’re living my dream.

My dream was to make a business of manufacturing model kits. Specifically, plastic model kits like the classic monsters, heroes, swashbucklers and the like Aurora used to make and which I loved so much when I was little. Polar Lights, the company whose reissues and repops of Aurora kits enticed me back into the model-building hobby in 2001, had been purchased by Round 2 and was quickly all but shut down. Round 2, it seemed, wasn’t interested in making figure kits because the market for them had gotten so small that they weren’t worth the effort.

NOSFERATU
The kit is 1/8 scale, resin, sculpted, molded and cast by Joe Simon. Price is $65 plus shipping for a 1.5-pound package. Payment by money order, check or PayPal. If interested, please email Todd Powell at todd.powell@resinbarbarian.com.

I was dismayed. Yeah, OK, so there were only thousands of people building those models instead of millions. Thousands of people wouldn’t pony up enough money to make the effort worthwhile? Sure they would. I knew it, but instead of at least considering whether that was a market I could hope to serve myself, I just accepted that plastic figure kits were pretty much gone.

Then I found out about Monarch and, through emails, got to know its founder, Scott McKillop. Then Frank Winspur let hobbyists know what he was up to with Moebius and started making all kinds of figure kits. A few years later, the Megahobby boys introduced us to Atlantis. Thanks to all of them, plus a revived Polar Lights and more reissues from Revell-Monogram, plastic figure kits are all over the place. And how did it happen? Some people not so different from me, but also not so afraid, checked out a few things and decided to go for it.

Could I have been a “player” in this market? Eh, who knows. It’s expensive to make plastic model kits and there’s a steep learning curve. I just wish I’d at least done a little research.

Roughly a year and a half ago, when I was again shaking my head, I got to thinking about vinyl model kits. Plastic kits are what I built when I was a kid and they’re what drew me… Read the rest

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Monster Model Review features Dedham Pond’s Hyde

March 20th, 2011

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The story of Hyde, from Dedham Pond Designs

October 11th, 2010

MR. HYDE
1/8 scale, resin model kit
Sculpted by Joe Simon
Inspired by “Dr. Jekyll and Mr. Hyde” (1920), starring John Barrymore
$75 plus shipping for a 2.5-pound package. Payment by check, money order or PayPal. If interested, e-mail todd.powell@resinbarbarian.com.

Sir George Carew taunts Henry Jekyll for his nobility. “Your really strong man fears nothing,” he says. “It is the weak one who is afraid of experience. A man cannot destroy the savage in him by denying its impulses. The only way to get rid of a temptation is to yield to it. With your youth, you should live — as I have lived. I have memories. What will you have at my age?”

Carew, the father of Jekyll’s fiancée, Millicent, provokes in the younger man a desire “to yield to every evil impulse — yet leave the soul untouched!” His search for a way to do this leads to his creation of a potion that turns saintly Dr. Jekyll … into the despicable Edward Hyde.

Ironically, Hyde so disgusts Carew that he demands Jekyll explain his relationship with the monster. He threatens to object to Jekyll marrying Millicent. This agitates Jekyll into transforming into Mr. Hyde without the potion.

Smiling hugely, laughing through his teeth, Hyde crouches to attack. Carew flees to the courtyard of Jekyll’s house, but Hyde quickly catches up and exuberantly clubs him to death with his walking stick.

Hyde pauses to bask in the moment, gleeful, then delivers a final blow before slinking away.

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Mr. Hyde: Casting and comparison shots

August 13th, 2010

Photos of the Dedham Pond Designs Mr. Hyde next to a Monogram/Aurora Phantom of the Opera and GEOmetric Design Mummy.

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Phantom replacement head comparison shots

July 28th, 2010

Here’s what the Dedham Pond Phantom of the Opera replacement head looks like next to the Polar Lights kit’s head (same scale) and an Aurora repop Phantom. The replacement head sells for $20 counting postage in the United States, or $15 plus postage to other countries. Please e-mail todd.powell@resinbarbarian.com if you’re interested.

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The Aurora Phantom … doing something else

July 20th, 2010

Here’s a project I’ve wanted to do for a long time: A James Bama-style Phantom replacement head for the Polar Lights model kit. Basically, what we end up with is the Aurora Phantom at a different moment in his tale, shortly after being unmasked.

Sculpted by Chris Wooten. Now available from Dedham Pond Designs. The replacement head sells for $20 counting postage in the United States, or $15 plus postage to other countries. Please e-mail todd.powell@resinbarbarian.com if you’re interested.

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For Norman Meyers of Artist Proof Studio, sculpting
is an opportunity to tell a story as well as shape a figure

July 5th, 2010

Check out this creepazoid. He (?) is called the S.L.E. Creature, and once I get over being freaked out, I feel really bad for … it. Poor thing, you look at it and just know this is someone who’s had a really serious problem.

The S.L.E. Creature is a new release from Artist Proof Studio, sculpted by Norman Meyers, 32, of Santa Monica, Calif. Here’s how Norm describes the creature’s origin:

“A strange virus takes over its host mutating them into a twisted deformed being.

“During the mutation process, the virus allows the host’s face to appear and look at its new body, the virus being proud of its work.

“When the host/victim inevitably freaks out, the head is re-absorbed and the virus gets to work creating an even more horrifying mutation. It’s an endless cycle.”

What bothers and impresses me when I look at some of Norm’s work is that I can see the person underneath all that weirdness, maybe someone who didn’t deserve to end up how he is.

You can say similar things about some of the pieces by Paul Komoda, Norm’s partner in Artist Proof Studio, who created an Elephant Man bust slated for release soon.

Norm’s mother and sister are established fine artist figure painters who regularly have solo shows throughout Los Angeles and galleries on the East Coast. Check out their work online at www.neilahmeyers.com and www.pattimeyers.com.

His father enjoyed sculpting, mostly figurative, working in water clay, bronze and stone.

“Growing up in a family of artists, it was common to come home and find a nude model in the living room. Needless to say, I had many friends always wanting to come over after school!”

Norm works for Cinemaquette / Toynami, a toy and statue company in Van Nuys, Calif. “I do a large variety of jobs there, from quality control, customer service, shipping and receiving, project managing along with sculpting. It’s a small company so there’s always tons to do.”

SHAPING A MONSTER MAKER, NORM’S OWN WORDS

I’ve always been fascinated/obsessed with horror movies, creatures and special effects. I started sculpting when I was 11 years old and was determined to get into the special effects world. I tracked down every back issue of Fangoria magazine and went to every convention I could find that was horror related.

When I was 15 I put together a portfolio of my sculptures and sent it to Stan Winston with a letter saying I wanted to work for him. Many months later to my surprise, I got a phone call from him, inviting me to work at his studio for free as an intern.

It was an amazing experience!… Read the rest

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